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Some of the Boys best "routines" in these clips. 9 minutes of pure hilarity.
Laurel and Hardy were a comedy double act during the early Classical Hollywood era of American cinema. The team was composed of English thin man Stan Laurel (1890–1965) and American fat man Oliver Hardy (1892–1957). They became well known during the late 1920s through the mid-1940s for their slapstick comedy, with Laurel playing the clumsy and childlike friend of the pompous bully Hardy.
This collection focuses on their incredible slapstick which by today's standards may seem violent and politically incorrect.
Edited by Paul Hagl
One of my favorites that they did in 1932. A piece of American history all these years later.
Laurel and Hardy funny moment from The Flying Deuces
Watch full movie here
Film: The Flying Deuces (1939)
Studio: Boris Morros Productions
Director: A. Edward Sutherland
Writer: Ralph Spence, Charley Rogers, Fred Schiller, Harry Langdon
Cast:
Stan Laurel as Stan
Oliver Hardy as Ollie
Jean Parker as Georgette
Reginald Gardiner as François
Charles B. Middleton as the Legion Commandant
Jean Del Val as Sergeant
Clem Wilenchick as Corporal
Jimmy Finlayson as Jailer
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Licensed from: Canamedia
Chickens Come Home is a very funny American short film starring Laurel and Hardy, directed by James W. Horne and produced by Hal Roach. It was shot in January 1931 and released on February 21, 1931. This version is unfortunately colorized. I'm more a fan of the original black and white movies. Laurel and Hardy act in this story as "Dealers in High Grade Fertilizer" according to their door.
Private detectives Stan Laurel and Oliver Hardy travel from their hometown of Peoria, Illinois to Mexico City in pursuit of an infamous larcenist named Hattie Blake (Carol Andrews), who is publicly known as ”Larceny Nell”. Meanwhile, an American sports promoter, Richard K. Muldoon (Ralph Sanford) meets with publicity man ”Hot Shot” Coleman (Richard Lane), and his assistant (Irving Gump) to discuss an upcoming bullfight featuring famed Spanish matador Don Sebastian. But when Muldoon sees pictures of the bullfighter he becomes enraged.
Don Sebastian looks exactly like Laurel. Muldoon tells Hot Shot that eight years earlier in Peoria, Laurel & Hardy both testified against him in a criminal case, and Muldoon was wrongfully convicted of the crime and sentenced to twenty years in jail. But, after five years the true criminal confessed, and Muldoon was released. But while in prison he lost his home, wife, fortune and business. HE had to start over in Mexico, and still holds a grudge against Laurel & Hardy and vows revenge brandishing a large knife for emphasis, "Someday I'll run across them again! And when I do, I'm going to skin them alive! First the little one, then the big one! I'm going to skin them BOTH alive!!"
Laurel & Hardy confront Blake, attempting to arrest her, only for her to snatch the extradition papers that permit them to arrest her outside the U.S., followed by an egg-breaking tit for tat sequence before her escape. They run into Hot Shot who sees Stan's uncanny resemblance to the bullfighter while receiving a telegram that tells the real Don Sebastian's arrival is delayed because of passport trouble. After explaining Stan's resemblance to Don Sebastian to the confused Ollie and Stan, and about the vengeful Muldoon's wrongful conviction, Hot Shot forces Stan to impersonate the bullfighter, threatening to reveal his and Ollie's presence to Muldoon if he does not cooperate but promising them a very handsome payment for their trouble if he does. Stan reluctantly agrees, only because Hot Shot promises he will not have to fight bulls. Eventually, the real Don Sebastian's passport trouble turns out to be worse than originally feared and so Stan will have to take his place in the ring and fight bulls after all.
On the day of the fight Stan, nervous about fighting bulls, gets drunk. But then, unbeknownst to anyone, the real Don Sebastian has somehow miraculously contrived to making it to Mexico City just in time for the big bullfight. Ollie mistakes him for Stan and forces him into the arena. Stan staggers up, and Hardy sends him into battle. With two Laurels in the ring, the outraged spectators cry foul, especially Muldoon, who now recognizes "Don Sebastian" as Stan Laurel from Peoria who sent him up for twenty years and, in a livid frenzy, punches out Hot Shot, calling him a swindler. Every bull in the arena is then unleashed. Stan and Ollie try to escape the vengeful Muldoon, but not fast enough; Stan and Ollie, while packing for their flight back home and planning to sneak away to the airport, discover Muldoon hiding in their closet, his knife handy. Just as promised, he skins them alive; leaving them, except their heads, in bare bones. Ollie says his "another nice mess…" catchphrase to Stan. Stan whimpers before Ollie decides that they go back home to Peoria, "where we belong!"
A 1945 American Black & White comedy film directed by Malcolm St. Clair (as Mal St. Clair), produced by William Girard, written by Scott Darling (as W. Scott Darling), cinematography by Norbert Brodine, starring Stan Laurel, Oliver Hardy, Margo Woode, Richard Lane, Diosa Costello, Ralph Sanford, and Margo Woode. The screen debut of both Frank McCown, who later became famous as Rory Calhoun, and Carol Andrews.
Hispanic bombshell Diosa Costello performs her energetic song-and-dance act. She was previously a partner with Desi Arnaz before he met Lucille Ball.
The closing bullfight uses shots from "Blood and Sand" (1941).
This is the penultimate feature film starring Laurel and Hardy. The duo were scheduled to make another film for 20th Century-Fox in the spring of 1945, but the studio discontinued all B-picture production at the end of 1944 and closed the Laurel and Hardy unit. When The Bullfighters became a hit, the studio offered to reopen the entire B department just for Laurel and Hardy, but the comedians declined. Thus, this turned out to be Laurel & Hardy's final American film. (Their final film, Atoll K, was produced in France in 1950–51.)
Because the "B" unit at Fox was closing down, Stan Laurel and Oliver Hardy had less studio interference and, consequently, more artistic freedom than they had in their previous five Fox efforts.
Laurel & Hardy's tit-for-tat egg routine with Carol Andrews is a direct lift from their similar routine with Lupe Velez in "Hollywood Party" (1934).
Some genuine laughs are delivered in this surprisingly fresh little underrated comedy. Good fun. Worth watching for Laurel & Hardy fans.
Two pairs of long-lost twin brothers experience high jinks involving a valuable ring, cases of mistaken identity, and gangsters.
IMDB: https://www.imdb.com/title/tt0028070
Come Clean is a 1931 American Film starring Laurel and Hardy, Directed by James W. Horne and Produced by Hal Roach
Chickens Come Home is a very funny American short film starring Laurel and Hardy, directed by James W. Horne and produced by Hal Roach. It was shot in January 1931 and released on February 21, 1931. This version is unfortunately colorized. I'm more a fan of the original black and white movies. Laurel and Hardy act in this story as "Dealers in High Grade Fertilizer" according to their door.
Taken from Laurel and Hardy's "Dirty Work" short film released in November 1933. Thanks for watching!
In this comedy, Oliver plans to marry his sweetheart Dulcy, but her father objects when he sees a picture of Ollie and forbids the marriage. The couple decides to elope, and with Stan as the best man, they attempt to sneak away at night to get married by a Justice of the Peace.
The memorable scene with a tiny car, struggles to fit inside, and the cross-eyed justice marrying Ollie to Stan are key elements of the film. "Our Wife" is known for its humor and classic Laurel and Hardy antics, making it a fan favorite among their films.
THE THEME FROM LAUREL AND HARDY.
LAUREL AND HARDY IN MY OPINION ARE THE BEST COMEDY AND SLAPSTICK DUO TO HAVE EVER LIVED.
© LAUREL AND HARDY
Laurel And Hardy were -and still are- one of the best comedians ever lived. The stupidness of Stanley and the clumsiness of Oliver made these two what they are now. Even so many decades later people all over the world love this duo. Here is a selection of Oliver's most clumsy actions.
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Laurel & Hardy - Trail of the Lonesome Pine - O Gordo e o Magro
Laurel And Hardy Blue Ridge Mountains Of Virginia - Moviesound
Classic laurel and hardy material
Step back in time and immerse yourself in the unique world of silent film comedy with Laurel and Hardy's hilarious 1927 masterpiece, "Putting Pants on Philip". This beautifully restored edition provides an authentic experience of the duo's earliest on-screen comedic synergy.
In this comedic gem, Stan Laurel portrays the kilt-wearing Scottish lad Philip, who has just arrived in America and struggles to adapt to the new culture, much to the despair of his uncle, played by Oliver Hardy. Philip's insistence on wearing his Scottish attire sets the stage for a series of unforgettable comedic scenarios that truly demonstrate why Laurel and Hardy remain icons of the silent film era.
Delve into the world of early film comedy, as you witness the pair's delightful comedic timing, slapstick humor, and unmistakable charisma. This video is a must-watch for fans of classic cinema, comedy enthusiasts, and those interested in the rich history of film. Hit the like button if you enjoyed this timeless piece, and don't forget to subscribe for more vintage cinema treasures!
#LaurelAndHardy #SilentFilm #ClassicComedy #VintageCinema #PuttingPantsonPhilip #1920s #HistoricCinema #FilmPreservation #StanLaurel #OliverHardy #SilentMovieMagic #ComedyLegends
LIGHTS, CAMERA, ACTION! - FILM MONTH ON BRITISH PATHÉ (FEBRUARY 2016): Newsreels of the Week: Laurel and Hardy.
Some wonderful vintage newsreels featuring comedy duo Laurel and Hardy upon their visits to Britain.
(Film ID 1603.13, 1197.03, 1399.07)
Music:
"William Tell Overture (by Rossini)"
Standard YouTube License
https://www.youtube.com/watch?v=ixtq-...
A NEW THEME EVERY MONTH!
Each month, a range of new uploads and playlists tell the story of a particular topic through archive footage. Let us know what themes you'd like to see by leaving us a comment or connecting with us on social media.
BRITISH PATHÉ'S STORY
Before television, people came to movie theatres to watch the news. British Pathé was at the forefront of cinematic journalism, blending information with entertainment to popular effect. Over the course of a century, it documented everything from major armed conflicts and seismic political crises to the curious hobbies and eccentric lives of ordinary people. If it happened, British Pathé filmed it.
Now considered to be the finest newsreel archive in the world, British Pathé is a treasure trove of 85,000 films unrivalled in their historical and cultural significance.
ALL RIGHTS RESERVED
A VIDEO FROM BRITISH PATHÉ. EXPLORE OUR ONLINE CHANNEL, BRITISH PATHÉ TV. IT'S FULL OF GREAT DOCUMENTARIES, FASCINATING INTERVIEWS, AND CLASSIC MOVIES. http://www.britishpathe.tv/
FOR LICENSING ENQUIRIES VISIT http://www.britishpathe.com/
British Pathé also represents the Reuters historical collection, which includes more than 136,000 items from the news agencies Gaumont Graphic (1910-1932), Empire News Bulletin (1926-1930), British Paramount (1931-1957), and Gaumont British (1934-1959), as well as Visnews content from 1957 to the end of 1984. All footage can be viewed on the British Pathé website. https://www.britishpathe.com/
In my opinion, this is one of the best L & H guest appearances. It's the second of two from the film Pick A Star (1937) starring Rosina Lawrence. It makes me laugh every time. The tunes, the facial expressions, the trumpet - and that tiny harmonica! Brilliant.
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